The trouble with doing a blog like this is that sometimes things are so well known that you think you've covered it already, but you actually haven't! This happened to me last week when talking about Krypton's prison rings; I mentioned an example and went to link to it, only to discover I'd never written about it before. Luckily, I needed a post for this final week of the year, so it works out. And that example - which you already know if you've read the title - is Jor-El's hologram.
See, everyone knows that Jor-El sent a baby Superman to Earth in a rocket to save him from the exploding Krypton. And for a long time, that was the story. Superman eventually learned about Krypton through time travel, Phantom Zone criminals, and various things that fell to Earth, but it was something that happened over time.
That was not the case in Superman: The Movie (1976). This depiction that Clark come to Earth with a crystal that, when dropped into the Arctic Circle for whatever reason, formed the Fortress of Solitude. Inside the Fortress was a hologram of Jor-El that could tell Superman pretty much anything he wanted to know about Krypton or any other location in the 28 known galaxies.
Originally, this did not affect the comics at all. In fact, even when Superman's origin was updated in the 80s, it would've been impossible because Superman's ship was a "birthing matrix" that housed an unborn Kal-El. There was nothing that would hold a crystal or anything else. But when they updated his origin again in Superman: Birthright (2003 - 2004), we see that - perhaps because they reverted to the rocket of the classic origin - Jor-El packed a tablet in the rocket that acts as a Kryptonian encyclopedia. However, despite the tablet passing a very brief message from the adult Superman back to Jor-El and Lara, it does not allow for a Jor-El AI to act as a surrogate father figure, as in the movie and Smallville versions.
That all changed in Action Comics #844 (October 2006), around the same time the Fortress of Solitude came to resemble the one from the movies. Now Jor-El was a fully interactive hologram.
Thankfully it didn't stick. My personal belief is that Superman should have as little interaction with Jor-El as possible; my ideal version of Superman considers the Kents his real parents and has an alive Jonathan (and Martha) to talk to when he needs help. It seems a lot of people disagree with me on this point, however.
Subheader
A forever in-work compendium of Marvel and DC canon immigrants. What's a canon immigrant? Go here to find out!
Wednesday, December 25, 2019
Friday, December 20, 2019
Flashback Friday: Perry White
Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.
This week: Perry White!
Perry White is fascinating because most people don't realize he originated outside of comics. When Superman debuted in Action Comics #1 (April 1938), his editor didn't have a name. In Superman #2 (August 1939), we learn his name is George Taylor.
Around this same time, Superman gained his first adaptation, the Adventures of Superman radio show. In the second episode, "Clark Kent, Reporter" (February 1940), we meet Clark's editor, here named Perry White. This is not that out of the ordinary; adaptations trying to stay as faithful as possible to the comic books they're adapting is only a fairly recent phenomenon, and the farther back you go, the less they care. (For a particularly extreme example, check out the Captain America serial where he's a district attorney named Grant Gardner.) Of course, I should also mention that continuity was much less of a thing in comics in the early days, so basic details about characters could change on a whim from issue to issue.
Later that year, Perry White arrived in comics as the editor of the Daily Planet in Superman #7 (September 1940). There was no story about how or why he replaced George Taylor; he just did.
In the comics, George Taylor would not be forgotten, appearing on Earth-2 as that Superman's editor (at the Daily Star) and on the main earth as the Daily Planet's editor before Perry White and/or the editor of the Daily Star, the Planet's rival newspaper. As far as adaptations are concerned, however, Perry White is the only editor that matters. He has become a mainstay of Superman stories and has appeared in all adaptations (except for the Superboy tv show, though his son WAS in it).
This week: Perry White!
Perry White is fascinating because most people don't realize he originated outside of comics. When Superman debuted in Action Comics #1 (April 1938), his editor didn't have a name. In Superman #2 (August 1939), we learn his name is George Taylor.
Around this same time, Superman gained his first adaptation, the Adventures of Superman radio show. In the second episode, "Clark Kent, Reporter" (February 1940), we meet Clark's editor, here named Perry White. This is not that out of the ordinary; adaptations trying to stay as faithful as possible to the comic books they're adapting is only a fairly recent phenomenon, and the farther back you go, the less they care. (For a particularly extreme example, check out the Captain America serial where he's a district attorney named Grant Gardner.) Of course, I should also mention that continuity was much less of a thing in comics in the early days, so basic details about characters could change on a whim from issue to issue.
Later that year, Perry White arrived in comics as the editor of the Daily Planet in Superman #7 (September 1940). There was no story about how or why he replaced George Taylor; he just did.
In the comics, George Taylor would not be forgotten, appearing on Earth-2 as that Superman's editor (at the Daily Star) and on the main earth as the Daily Planet's editor before Perry White and/or the editor of the Daily Star, the Planet's rival newspaper. As far as adaptations are concerned, however, Perry White is the only editor that matters. He has become a mainstay of Superman stories and has appeared in all adaptations (except for the Superboy tv show, though his son WAS in it).
Wednesday, December 18, 2019
Gadget Spotlight: Kryptonian Prison Rings
For some reason, people love Superman: The Movie. I don't get it, personally. Although Christopher Reeve is perfect as Clark Kent and Superman, nearly everything else about it falls flat for me. Especially the aesthetic, particularly the Kryptonian aesthetic. Still, people love it for some reason, so the aesthetic has crept into most modern adaptations, even when it doesn't make any sense. (Seriously, why would the Fortress of Solitude - which is meant to be Superman's home away from home - look like an ice cave instead of actually cozy and livable? It's silly. But I digress.)
With the comics, this happened for the first time - as far as I know - in 2006 when Geoff Johns took over writing Action Comics. Among other changes, suddenly the Fortress was crystal, Jor-El was a hologram, Ben Hubbard appeared, and Zod's crew (now Ursa and Non) dressed all in black. Also, the Kryptonian prison rings debuted.
In the movie (1976), we see Zod, Ursa, and Non imprisoned in spinning rings while they wait to be sent to the Phantom Zone.
With the comics, this happened for the first time - as far as I know - in 2006 when Geoff Johns took over writing Action Comics. Among other changes, suddenly the Fortress was crystal, Jor-El was a hologram, Ben Hubbard appeared, and Zod's crew (now Ursa and Non) dressed all in black. Also, the Kryptonian prison rings debuted.
In the movie (1976), we see Zod, Ursa, and Non imprisoned in spinning rings while they wait to be sent to the Phantom Zone.
In Action Comics #846 (December 2006), we get a hint to this technology when we see Phantom Zone criminals with rings around them.
Action Comics Annual #10 (January 2007) shows Zod, Ursa, and Non in a more standard depiction of the rings.
Action Comics Annual #10 (January 2007) shows Zod, Ursa, and Non in a more standard depiction of the rings.
And Superman: World of New Krypton #5 (July 2009) shows the rings on the cover and throughout the book.
To my knowledge, they have not been seen since, and thank goodness for that.
Friday, December 13, 2019
Flashback Friday: JARVIS
Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.
This week: J.A.R.V.I.S.!
Tony Stark's butler, Edwin Jarvis, who first appeared in Tales of Suspense #59 (September 1964)...
...was adapted for the Iron Man movie (2008) as an advanced AI that controlled the Stark Mansion (and the Iron Man suit later on) and was called J.A.R.V.I.S., which was explained in the movie novelization to stand for "Just A Rather Very Intelligent System".
J.A.R.V.I.S. later appears, which the same acronym explanation, in Invincible Iron Man #11 (March 2009), this time based on the personality of the real Jarvis and as the controller AI of Pepper Potts's "Rescue" armor.
As a side note, J.A.R.V.I.S.'s personality being based on a real Edwin Jarvis, who presumably helped raise Tony when he was young, was a common MCU fan theory. This was later confirmed when Agent Carter had Jarvis in a major supporting role across both seasons.
This week: J.A.R.V.I.S.!
Tony Stark's butler, Edwin Jarvis, who first appeared in Tales of Suspense #59 (September 1964)...
...was adapted for the Iron Man movie (2008) as an advanced AI that controlled the Stark Mansion (and the Iron Man suit later on) and was called J.A.R.V.I.S., which was explained in the movie novelization to stand for "Just A Rather Very Intelligent System".
J.A.R.V.I.S. later appears, which the same acronym explanation, in Invincible Iron Man #11 (March 2009), this time based on the personality of the real Jarvis and as the controller AI of Pepper Potts's "Rescue" armor.
As a side note, J.A.R.V.I.S.'s personality being based on a real Edwin Jarvis, who presumably helped raise Tony when he was young, was a common MCU fan theory. This was later confirmed when Agent Carter had Jarvis in a major supporting role across both seasons.
Wednesday, December 11, 2019
Character Spotlight: Antonio Puzorelli
Continuity's a funny thing. Sometimes things are canon at one point and later ruled not canon (and vice-versa!). This can happen for all sorts of reasons. For Teenage Mutant Ninja Turtles volume 3, it happened because the creators weren't involved.
See, Teenage Mutant Ninja Turtles was created by Kevin Eastman and Peter Laird for Mirage, their independent comics company. TMNT quickly became a media powerhouse so Eastman and Laird were pulled away from the comic fairly early on (issue 11 was the last one they both worked on until issue 50). Presumably as part of that, Mirage started a second volume of the series, written by Jim Lawson, that ran for two years. In 1996, Image Comics published volume 3 and made it part of the Image Universe, but when Peter Laird and Jim Lawson partnered to make a new volume in 2001, they decided to ignore the events of volume 3, since it didn't have any input from Laird or Eastman. Therefore, this blog treats volume 3 as an adaptation like any other.
And that brings us to our point. Teenage Mutant Ninja Turtles vol. 3 #7 (December 1996) introduced a gangster named Antoine "Big Tony" Puzorelli. He is the grandfather of Shadow, Casey Jones's adopted daughter, and he hired the Foot to find her and return her.
In Teenage Mutant Ninja Turtles #25 (August 2013), we meet Antonio Puzorelli, a Mafia don who tried to broker peace during a turf war between the Foot and the Savate. He did not appear again until #93 (April 2019), which is when his last name was used for the first time and his connection to Big Tony made clear.
See, Teenage Mutant Ninja Turtles was created by Kevin Eastman and Peter Laird for Mirage, their independent comics company. TMNT quickly became a media powerhouse so Eastman and Laird were pulled away from the comic fairly early on (issue 11 was the last one they both worked on until issue 50). Presumably as part of that, Mirage started a second volume of the series, written by Jim Lawson, that ran for two years. In 1996, Image Comics published volume 3 and made it part of the Image Universe, but when Peter Laird and Jim Lawson partnered to make a new volume in 2001, they decided to ignore the events of volume 3, since it didn't have any input from Laird or Eastman. Therefore, this blog treats volume 3 as an adaptation like any other.
And that brings us to our point. Teenage Mutant Ninja Turtles vol. 3 #7 (December 1996) introduced a gangster named Antoine "Big Tony" Puzorelli. He is the grandfather of Shadow, Casey Jones's adopted daughter, and he hired the Foot to find her and return her.
In Teenage Mutant Ninja Turtles #25 (August 2013), we meet Antonio Puzorelli, a Mafia don who tried to broker peace during a turf war between the Foot and the Savate. He did not appear again until #93 (April 2019), which is when his last name was used for the first time and his connection to Big Tony made clear.
Friday, December 6, 2019
Flashback Friday: Marsha, Queen of Diamonds
Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.
This week: Marsha, Queen of Diamonds!
Marsha is a diamond thief who first appears in the episode of the same name (November 1966). She wants to get her hands on the Bat-Diamond, so she blackmails Batman into marrying her, which would have the added benefit of giving her access to the Batcave and his secret identity. Needless to say, Batman manages to find a way to escape and save Robin, Commissioner Gordon, and Chief O'Hara in the process.
Although this villain from the Batman tv series (1966-1968) hasn't yet made a real appearance in comics, she was mentioned by the Riddler in Secret Origins Special #1 (June 1989). At the time, the rights to the 60s series were in a strange sort of limbo, which is why the tv-original characters were never used in the comics. But that's all sorted out now, so there's no telling when Marsha will appear for real!
This week: Marsha, Queen of Diamonds!
Marsha is a diamond thief who first appears in the episode of the same name (November 1966). She wants to get her hands on the Bat-Diamond, so she blackmails Batman into marrying her, which would have the added benefit of giving her access to the Batcave and his secret identity. Needless to say, Batman manages to find a way to escape and save Robin, Commissioner Gordon, and Chief O'Hara in the process.
Although this villain from the Batman tv series (1966-1968) hasn't yet made a real appearance in comics, she was mentioned by the Riddler in Secret Origins Special #1 (June 1989). At the time, the rights to the 60s series were in a strange sort of limbo, which is why the tv-original characters were never used in the comics. But that's all sorted out now, so there's no telling when Marsha will appear for real!
Wednesday, December 4, 2019
Character Spotlight: Dr. Chase Meridian
It's funny how standards slip as deadlines loom. Normally I don't include immigrants until they've been in a mainstream universe, but I didn't want the last couple weeks of this year to not have new content (even though I started doing Flashback Friday for just such an occasion), so here we are.
Batman Forever (1995) wanted to be a serious look into the psychology of Batman. You probably wouldn't recognize that from the final product, which had most of that particular plotline excised, but one artifact that remains is Dr. Chase Meridian, Bruce Wayne's love interest for the movie and a psychiatrist who is obsessed with Batman. Her name is a pun because she was supposed to help Bruce find a balance between his two personas; ie, "chase" the "meridian".
Despite being played by Nicole Kidman at her Nicole Kidmanest in a very successful movie (second highest-grossing movie of 1995 and highest-grossing opening weekend, which it held until 1997), Chase Meridian never made an impact on the comics. Even when she finally crossed over, it was only in an out-of-continuity digital comic. Specifically, it was Legends of the Dark Knight #77-79 (November 2013), which was later collected in Legends of the Dark Knight 100-Page Spectacular #4 (September 2014). Notably, she has a completely different look than the movie.
Personally, I think Dr. Meridian could fill a hole in the Batman universe. You'd think a series with an asylum as a major set piece would have a recurring psychologist/psychiatrist character. In fact, it has two, but they're both villains: Harley Quinn and Hugo Strange. It would be very beneficial, I think, to have Chase as a supervillain expert who also doesn't play their games.
Batman Forever (1995) wanted to be a serious look into the psychology of Batman. You probably wouldn't recognize that from the final product, which had most of that particular plotline excised, but one artifact that remains is Dr. Chase Meridian, Bruce Wayne's love interest for the movie and a psychiatrist who is obsessed with Batman. Her name is a pun because she was supposed to help Bruce find a balance between his two personas; ie, "chase" the "meridian".
Despite being played by Nicole Kidman at her Nicole Kidmanest in a very successful movie (second highest-grossing movie of 1995 and highest-grossing opening weekend, which it held until 1997), Chase Meridian never made an impact on the comics. Even when she finally crossed over, it was only in an out-of-continuity digital comic. Specifically, it was Legends of the Dark Knight #77-79 (November 2013), which was later collected in Legends of the Dark Knight 100-Page Spectacular #4 (September 2014). Notably, she has a completely different look than the movie.
Personally, I think Dr. Meridian could fill a hole in the Batman universe. You'd think a series with an asylum as a major set piece would have a recurring psychologist/psychiatrist character. In fact, it has two, but they're both villains: Harley Quinn and Hugo Strange. It would be very beneficial, I think, to have Chase as a supervillain expert who also doesn't play their games.
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