Gadget Spotlight: Jor-El's Hologram

The trouble with doing a blog like this is that sometimes things are so well known that you think you've covered it already, but you actually haven't! This happened to me last week when talking about Krypton's prison rings; I mentioned an example and went to link to it, only to discover I'd never written about it before. Luckily, I needed a post for this final week of the year, so it works out. And that example - which you already know if you've read the title - is Jor-El's hologram.

See, everyone knows that Jor-El sent a baby Superman to Earth in a rocket to save him from the exploding Krypton. And for a long time, that was the story. Superman eventually learned about Krypton through time travel, Phantom Zone criminals, and various things that fell to Earth, but it was something that happened over time.

That was not the case in Superman: The Movie (1976). This depiction that Clark come to Earth with a crystal that, when dropped into the Arctic Circle for whatever reason, formed the Fortress of Solitude. Inside the Fortress was a hologram of Jor-El that could tell Superman pretty much anything he wanted to know about Krypton or any other location in the 28 known galaxies.

Originally, this did not affect the comics at all. In fact, even when Superman's origin was updated in the 80s, it would've been impossible because Superman's ship was a "birthing matrix" that housed an unborn Kal-El. There was nothing that would hold a crystal or anything else. But when they updated his origin again in Superman: Birthright (2003 - 2004), we see that - perhaps because they reverted to the rocket of the classic origin - Jor-El packed a tablet in the rocket that acts as a Kryptonian encyclopedia. However, despite the tablet passing a very brief message from the adult Superman back to Jor-El and Lara, it does not allow for a Jor-El AI to act as a surrogate father figure, as in the movie and Smallville versions.

That all changed in Action Comics #844 (October 2006), around the same time the Fortress of Solitude came to resemble the one from the movies. Now Jor-El was a fully interactive hologram.

Thankfully it didn't stick. My personal belief is that Superman should have as little interaction with Jor-El as possible; my ideal version of Superman considers the Kents his real parents and has an alive Jonathan (and Martha) to talk to when he needs help. It seems a lot of people disagree with me on this point, however.

Flashback Friday: Perry White

Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.

This week: Perry White!

Perry White is fascinating because most people don't realize he originated outside of comics. When Superman debuted in Action Comics #1 (April 1938), his editor didn't have a name. In Superman #2 (August 1939), we learn his name is George Taylor.

Around this same time, Superman gained his first adaptation, the Adventures of Superman radio show. In the second episode, "Clark Kent, Reporter" (February 1940), we meet Clark's editor, here named Perry White. This is not that out of the ordinary; adaptations trying to stay as faithful as possible to the comic books they're adapting is only a fairly recent phenomenon, and the farther back you go, the less they care. (For a particularly extreme example, check out the Captain America serial where he's a district attorney named Grant Gardner.) Of course, I should also mention that continuity was much less of a thing in comics in the early days, so basic details about characters could change on a whim from issue to issue.

Later that year, Perry White arrived in comics as the editor of the Daily Planet in Superman #7 (September 1940). There was no story about how or why he replaced George Taylor; he just did.

In the comics, George Taylor would not be forgotten, appearing on Earth-2 as that Superman's editor (at the Daily Star) and on the main earth as the Daily Planet's editor before Perry White and/or the editor of the Daily Star, the Planet's rival newspaper. As far as adaptations are concerned, however, Perry White is the only editor that matters. He has become a mainstay of Superman stories and has appeared in all adaptations (except for the Superboy tv show, though his son WAS in it).

Gadget Spotlight: Kryptonian Prison Rings

For some reason, people love Superman: The Movie. I don't get it, personally. Although Christopher Reeve is perfect as Clark Kent and Superman, nearly everything else about it falls flat for me. Especially the aesthetic, particularly the Kryptonian aesthetic. Still, people love it for some reason, so the aesthetic has crept into most modern adaptations, even when it doesn't make any sense. (Seriously, why would the Fortress of Solitude - which is meant to be Superman's home away from home - look like an ice cave instead of actually cozy and livable? It's silly. But I digress.)

With the comics, this happened for the first time - as far as I know - in 2006 when Geoff Johns took over writing Action Comics. Among other changes, suddenly the Fortress was crystal, Jor-El was a hologram, Ben Hubbard appeared, and Zod's crew (now Ursa and Non) dressed all in black. Also, the Kryptonian prison rings debuted.

In the movie (1976), we see Zod, Ursa, and Non imprisoned in spinning rings while they wait to be sent to the Phantom Zone.

In Action Comics #846 (December 2006), we get a hint to this technology when we see Phantom Zone criminals with rings around them.

Action Comics Annual #10 (January 2007) shows Zod, Ursa, and Non in a more standard depiction of the rings.

And Superman: World of New Krypton #5 (July 2009) shows the rings on the cover and throughout the book.

To my knowledge, they have not been seen since, and thank goodness for that.

Flashback Friday: JARVIS

Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.

This week: J.A.R.V.I.S.!

Tony Stark's butler, Edwin Jarvis, who first appeared in Tales of Suspense #59 (September 1964)...

...was adapted for the Iron Man movie (2008) as an advanced AI that controlled the Stark Mansion (and the Iron Man suit later on) and was called J.A.R.V.I.S., which was explained in the movie novelization to stand for "Just A Rather Very Intelligent System".   

J.A.R.V.I.S. later appears, which the same acronym explanation, in Invincible Iron Man #11 (March 2009), this time based on the personality of the real Jarvis and as the controller AI of Pepper Potts's "Rescue" armor.

As a side note, J.A.R.V.I.S.'s personality being based on a real Edwin Jarvis, who presumably helped raise Tony when he was young, was a common MCU fan theory. This was later confirmed when Agent Carter had Jarvis in a major supporting role across both seasons.

Character Spotlight: Antonio Puzorelli

Continuity's a funny thing. Sometimes things are canon at one point and later ruled not canon (and vice-versa!). This can happen for all sorts of reasons. For Teenage Mutant Ninja Turtles volume 3, it happened because the creators weren't involved.

See, Teenage Mutant Ninja Turtles was created by Kevin Eastman and Peter Laird for Mirage, their independent comics company. TMNT quickly became a media powerhouse so Eastman and Laird were pulled away from the comic fairly early on (issue 11 was the last one they both worked on until issue 50). Presumably as part of that, Mirage started a second volume of the series, written by Jim Lawson, that ran for two years. In 1996, Image Comics published volume 3 and made it part of the Image Universe, but when Peter Laird and Jim Lawson partnered to make a new volume in 2001, they decided to ignore the events of volume 3, since it didn't have any input from Laird or Eastman. Therefore, this blog treats volume 3 as an adaptation like any other.

And that brings us to our point. Teenage Mutant Ninja Turtles vol. 3 #7 (December 1996) introduced a gangster named Antoine "Big Tony" Puzorelli. He is the grandfather of Shadow, Casey Jones's adopted daughter, and he hired the Foot to find her and return her.

In Teenage Mutant Ninja Turtles #25 (August 2013), we meet Antonio Puzorelli, a Mafia don who tried to broker peace during a turf war between the Foot and the Savate. He did not appear again until #93 (April 2019), which is when his last name was used for the first time and his connection to Big Tony made clear.

Flashback Friday: Marsha, Queen of Diamonds

Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.

This week: Marsha, Queen of Diamonds!

Marsha is a diamond thief who first appears in the episode of the same name (November 1966). She wants to get her hands on the Bat-Diamond, so she blackmails Batman into marrying her, which would have the added benefit of giving her access to the Batcave and his secret identity. Needless to say, Batman manages to find a way to escape and save Robin, Commissioner Gordon, and Chief O'Hara in the process.

Although this villain from the Batman tv series (1966-1968) hasn't yet made a real appearance in comics, she was mentioned by the Riddler in Secret Origins Special #1 (June 1989).  At the time, the rights to the 60s series were in a strange sort of limbo, which is why the tv-original characters were never used in the comics. But that's all sorted out now, so there's no telling when Marsha will appear for real!

Character Spotlight: Dr. Chase Meridian

It's funny how standards slip as deadlines loom. Normally I don't include immigrants until they've been in a mainstream universe, but I didn't want the last couple weeks of this year to not have new content (even though I started doing Flashback Friday for just such an occasion), so here we are.

Batman Forever (1995) wanted to be a serious look into the psychology of Batman. You probably wouldn't recognize that from the final product, which had most of that particular plotline excised, but one artifact that remains is Dr. Chase Meridian, Bruce Wayne's love interest for the movie and a psychiatrist who is obsessed with Batman. Her name is a pun because she was supposed to help Bruce find a balance between his two personas; ie, "chase" the "meridian".

Despite being played by Nicole Kidman at her Nicole Kidmanest in a very successful movie (second highest-grossing movie of 1995 and highest-grossing opening weekend, which it held until 1997), Chase Meridian never made an impact on the comics. Even when she finally crossed over, it was only in an out-of-continuity digital comic. Specifically, it was Legends of the Dark Knight #77-79 (November 2013), which was later collected in Legends of the Dark Knight 100-Page Spectacular #4 (September 2014). Notably, she has a completely different look than the movie.

Personally, I think Dr. Meridian could fill a hole in the Batman universe. You'd think a series with an asylum as a major set piece would have a recurring psychologist/psychiatrist character. In fact, it has two, but they're both villains: Harley Quinn and Hugo Strange. It would be very beneficial, I think, to have Chase as a supervillain expert who also doesn't play their games.

Flashback Friday: Livewire

Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.

This week: Livewire!

These days, comic book adapters realize that Marvel and DC have thousands of characters and one of them will probably fit whatever story they want to tell. That wasn't always the case. Until the mid-00s (and possibly later), tv shows based on comics mainly used original characters, and the DC Animated Universe was no different. That brings us to Livewire.

Like Roxy Rocket, Livewire's first appearance wasn't really on tv. She debuted in Superman Adventures #5 (January 1997) in a story that has her attacking men because they've run the world for so long. What's interesting to me is that the issue is written as if everyone already knows Livewire, which makes me wonder if her premiere episode was originally planned for season one and then pushed back.

Either way, Livewire first appeared in Superman: The Animated Series in an episode of the same name (1997).  In the episode, Leslie Willis is a shock jock who was struck by lightning during an outside concert. The lightning gave her electric powers and changed her appearance, and she blamed Superman for it. So she became Livewire to get revenge. She became a recurring antagonist, also appearing in The New Batman Adventures, Justice League, and Justice League Unlimited.

She first began appearing in the main DC Universe in Action Comics #835 (January 2006). Her backstory is mostly the same as her animated counterpart, except that she was born with her electric powers. The lightning strike only enhanced them and changed her appearance. She continued to appear and even reformed by 2011, just in time for the New 52.

In the New 52, Livewire made her first appearance in Justice League #30 (May 2014) during Forever Evil as a member of the Secret Society of Super-Villains. In Batgirl #42 (July 2015), she receives a new origin - now she was a vlogger who was electrocuted during a prank where she tried to make the lights of Metropolis spell out a dirty word.

And if comics to tv to comics weren't enough, she also made it back to tv - twice, actually. The first was in Smallville ("Injustice", May 2009), although you'd be forgiven for not realizing it's the same character...

...and the second was in Supergirl ("Livewire", November 2015), where she has once again become a recurring character.

Lois Lane's Violet Eyes

Usually canon immigrants are big things like characters and events. But sometimes they're details so tiny, most people don't even realize they're there. This is an example of the latter. 

In Superman: The Animated Series (1996), Lois Lane had violet eyes to match her suit.

This had never been the case in comics before. When Lois debuted in Action Comics #1 (1938), eyes weren't given that level of definition at all...

...and once they were, she was depicted with blue eyes. 

After the animated series, however, she started appearing with violet eyes in the comics. In cases like this it's hard to determine the absolute first time it happened, but here's a smattering of examples released over fifteen years or so (the final one being a variant cover for Superman #13, July 2019).

I also can't guarantee her eyes are ALWAYS violet. Coloring is a tricky beast and there are often inconsistencies even when the colors of an object are set in stone.

Flashback Friday: Mystique's Movie Design

Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.

This week: Mystique's movie design!

It can't be understated how big the first X-Men movie was in 2000. Avengers: Endgame becoming the top-grossing movie of all time can be traced directly back to the success of this movie. It was certainly the most important Marvel adaptation at the time, and Marvel - generally not one to have major canon immigrants at the time - bent over backwards to make the comics better reflect the movies.

As I'm sure you know, X-Men was much different from the comics of the time. The team was smaller and wore black leather. Xavier's was an actual school. The Brotherhood was made of some of the team's biggest villains (and Toad), and nearly all of them had a less human appearance than normal. The changes go on and on. Mystique in particular was naked with small spikes all over her skin. The rationale for her nakedness was that, if she morphed clothes, she'd be naked regardless (although let's be honest: they just wanted Rebecca Romijn to be naked); the textured skin was never explained.

But that's not how Mystique appeared in the comics. From her first appearance in Ms. Marvel #18 (April 1978), she's had more or less the same iconic look.

In 2001, Marvel started publishing a miniseries called X-Men Forever, ostensibly to build on the success of Avengers Forever. Like that series, this one would travel through the X-Men's history, but that's where the similarities end. While Avengers Forever's ultimate goal was to explain away some continuity bugs, the goal of X-Men Forever was simply to make the X-Men more like the comics. And that is how, in issue 6 (April 2001), Mystique came to look like this:

To say the change didn't last would be putting it lightly. It might as well have not happened at all. Her next published appearance that wasn't a flashback or morphed was a year later in Uncanny X-Men #404 (April 2002). She looks normal.

In fact, the only other appearance I can find of Mystique's movie form is in X-Treme X-Men #32 (October 2003), when a mutant named Revenant make Rogue think she's turning into Mystique.

And that's not even really Mystique. But that's for the best, because it's not a great design. I think the movies have realized that too, because over time, her skin has gotten smoother and smoother and she's started wearing clothes even when unmorphed.

The Maybe File: Smallville High's Coach Walt

Smallville arguably used more original characters than any other comic book adaptation. Especially early on, when we get characters like Coach Walt Arnold in "Hothead" (September 2001). Arnold is a football coach with a temper who gets anger-related fire powers after he uses meteor rocks - Kryptonite, for anyone who hasn't seen the show - in his sauna.

In Action Comics #791 (May 2002), a Coach Walt Andrews writes Clark to ask him to come to his Smallville class reunion.

I know. The name's not the same. But let's look at the evidence. Smallville debuts in September 2001 and becomes an instant success. Then Action Comics #791 comes out right in time for the Smallville season finale and features an extensive flashback to Superman's high school days, the essential premise of the show. The story definitely introduces the Smallville Crows to canon and possibly Granville. It's also the first appearance in comics of a Coach Walt A., and Smallville just so happens to have also introduced a Coach Walt A.

Is it meant to be the same character? If it is, did they change the name by accident or is it for legal reasons? I don't know the answers to these questions. I can't say for sure Coach Walt is a canon immigrant, but here's what I can say: if he is meant to be one, he's certainly not the one to have changed the most during the journey.

Flashback Friday: Granville, Kansas

Each Friday, I take one of the entries from my old Super Posts and expand it into its own featured article.

This week: Granville, Kansas!

Granville first appeared in Smallville as a neighboring city of Smallville.  In the episode "Accelerate" (May 2003), Clark tracks the father of a childhood friend of Lana's to the city. Granville continued to be mentioned or appear once a season until season 8. This is a good name because it plays off the size angle - Small vs Grand - but it's also a reference to Smallville's production. The show (and most genre television) was filmed in Vancouver, which was originally known as Granville.

It appeared in a similar capacity in Superman/Batman #13 (August 2004). It has appeared a few times since then, but details on the internet are scarce so I can't find another mention. I know I've seen it, though, and recently. If you have a lead, let me know!

For the sake of full disclosure, I should point out that Action Comics #791 (May 2002) mentions a "Grandville". This is possibly a case of parallel thinking, or - since the issue is a flashback to Clark's high school days published at the tail end of Smallville season one - possibly a use of information from the Smallville writers' room that hadn't made its way on screen yet. Either way, the spelling of the town's name is a canon immigrant even if the town itself might not be.

One final note: Granville was also seen on a map in Batman: The Brave and the Bold's "Aquaman's Outrageous Adventure!" (January 2010).